Tactical Shooting: Mission: Impossible ‒ Fallout

Christopher McQuarrie’s Mission: Impossible ‒ Fallout (2018) is the latest instalment in the somewhat tired but still fun Mission: Impossible franchise. The highly cinematic films are prime examples for GURPS Action scenarios. Nevertheless much of the shooting is actually reasonably realistic. I take a look at a short scene in which IMF Agent Ethan Hunt (Tom Cruise) shows off his gunfighting skills, and analyze how it would play out in GURPS terms, specifically using GURPS Tactical Shooting.

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Investigator Weapons: Charles Reber, Armed Investigator?

In the 1930s, Charles Reber, a US Army veteran of the Spanish-American War and an ex-Major with the Oklahoma National Guard, was a pioneer ballistics and fingerprint expert with the Oklahoma State Bureau of Investigation & Identification, who consulted on numerous cases.

This alone would make him an interesting example for an Investigator of the Mythos. During the hunt for Charles “Pretty Boy” Floyd, he was also painted as a template for an Armed Investigator in newspaper articles like “One-Man Army Rigs Auto for Sudden Battle” in The Fresno Bee (08-JUN-1934):

Though he looks like a staid schoolteacher [!], is quite and unassuming, Reber is as expert with a gun as with his ballistics apparatus … Inside his sedan he has rigged out a rolling arsenal. By reaching up with his left hand he can pull a sawed-off shotgun, loaded with buckshot, from a rack in the car. With his right hand he can claw down a Browning automatic rifle. Reaching forward he can pull a Thompson sub-machine gun from a rack on the dash of the car, where it is flanked by holders containing clips [sic] of ammunition. In the seat with him he can reach a Colt .45 automatic or a long-range German Luger automatic of smaller caliber, but deadly accuracy. On the floor, in a case, he can reach hand grenades, [tear] gas bombs and extra clips [sic] of ammunition ‒ shotgun shells, high power rifle cartridges and pistol ammunition, all carefully arranged to be “handy.” In the back seat, for long range work, he has an old Krag-Jorgensen [sic] army rifle, made famous in the Spanish-American war for its deadliness. Its sights are carefully adjusted, with wind gauge, elevation, and important other arrangements. Continue reading “Investigator Weapons: Charles Reber, Armed Investigator?”

At the Movies: Sicario

 

Kate, this isn’t something that I dreamed up myself. I don’t have the authority to hire advisors, or authorize joint agency missions, or fly agents from Air Force bases. Are you understanding me? These decisions are made far from here, by officials elected to office, not appointed to them. So, if your fear is operating out of bounds, I am telling you, you are not. The boundary’s been moved.

‒ FBI Special Agent in Charge Dave Jennings in Sicario (2015)

 

This is a film review of Denis Villeneuve’s Sicario (2015) with an eye towards using it in Delta Green: The Role-Playing Game.

Stop reading if you want to avoid SPOILERS.

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Tactical Shooting: Public Enemies

Gentlemen, shortly you will be provided Thompson submachine guns, BARs, and uh, .351 Winchester semiautomatic rifles. We are pursuing hardened killers. It will be dangerous.

– Bureau of Investigation Special Agent in Charge Melvin Purvis in Public Enemies (2009)

Michael Mann’s Public Enemies (2009) is but the latest effort to bring the life of infamous bank robber John “Johnnie” Dillinger on the silver screen. It follows his exploits between autumn 1933 and summer 1934, but really concentrates on his affair with gun moll M. Evelyn “Billie” Frechette. As in many other Mann movies, the law enforcement side receives almost equal attention, here in the shape of Bureau of Investigation Special Agent in Charge Melvin Purvis. While Mann undertook extraordinary effort to bring the time to life through clothing, automobiles, firearms, and locations, he stuck less rigidly to the historical facts, including the timeline. Events have been moved forward or backward, people have been omitted or changed, etc. It has to be understood that Public Enemies is not really a historical film at all, unlike Bryan Burrough’s meticulously researched book Public Enemies (2004), on which it is based. It is still an excellent movie, not the least because of its awesome score and of course its actors, including Johnny Depp as Dillinger, Christian Bale as Purvis, and Stephen Graham as “Baby Face Nelson.”

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Shopping Spree: Bannerman (1927)

Few are the sights that Gotham has to offer

Of greater interest and instructive aid,

Than the rare contents of this famous coffer

From all the earth’s ransacked corners here displayed.

Francis Bannerman Sons Military Goods Catalogue (1927)

 

Between 1865 and 1959, Francis Bannerman Military Goods ‒ from 1918, Francis Bannerman Sons Military Goods ‒ was probably the largest and certainly the most important military surplus store in the entire USA. From 1905, it had its primary outlet at 501 Broadway in New York, New York (GURPS High-Tech: Pulp Guns 1, p. 5; GURPS High-Tech: Pulp Guns 2, p. 24; Investigator Weapons 1, p. 25).

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Tactical Shooting: The Way of the Gun

One’s backfire, three is gunplay.

– Joe Sarno in The Way of the Gun (2000)

 

Christopher McQuarrie’s The Way of the Gun (2000) is an imperfect cult movie. Its main characters “Mr Longabaugh” (Benicio del Toro) and “Mr Parker” (Ryan Philippe) are of course named after the famous Hole in the Wall Gang members “Butch Cassidy” (née Robert Parker) and “The Sundance Kid” (née Harry Longabaugh), and there are several references to George Hill’s Butch Cassidy and the Sundance Kid (1969), including the location where the showdown was shot. Unlike that brilliant Western, the story about two drifters who decide to finally pull a major score by kidnapping a surrogate pregnant woman suffers from plot holes, is irregularly paced, and has a good deal of forced dialogue. However, I have no issue with the dubious moralities displayed; the main characters are criminals and no more reprehensible than other fiction criminals ‒ or indeed, many nominally good guys. On the plus side, the film boasts first-class acting performances by the likes of Benicio del Toro, James Caan, and Geoffrey Lewis, an ace score, and, unsurprisingly given its title, some very cool shootouts.

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Gun Fu: Die Hard

Happy trails, Hans!

‒ John McClane in Die Hard (1988)

 

John McTiernan’s Die Hard (1988) is the ultimate action movie for the festive days. Like most such films made in the 1980s, it ticks many boxes of the genres covered by GURPS Gun Fu. NYPD Detective John McClane (Bruce Willis) is the ultimate badass in both body and spirit, and the shooting shown is in the same vein ‒ “Yippee ki-yay, motherfucker!

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Ultra-Tech: Amtrak Federation Air Rifle

A three-barrelled high-velocity .25 calibre air rifle that could be switched from triple volley to full auto, hung from the flexible mounting above the cockpit. A ground-crewman checked the two racks inside the cockpit filled with 180-round magazines … With a comparatively high rate of fire of one hundred and eighty rounds a minute, they were able to direct an almost continuous rain of nickel-coated lead …

‒ Patrick Tilley, The Amtrak Wars 1: Cloud Warrior (1983)

 

Patrick Tilley’s The Amtrak Wars (1983-1990) is a six-part epic chronicling the events in 2989/2994 AD prior to the fulfilment of the “Talisman Prophecy.” It is set in a devastated and substantially changed North America, with several factions involved in a deadly struggle for supremacy. These include various tribes of Mutes, the Iron Masters, and the Amtrak Federation ‒ inexplicably changed to the Lone Star Confederation in the later reissue, making the many train connections obsolete. It is perfect as a setting for a GURPS After the End campaign.

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