Investigator Weapons: The Strange Case of Harold Severy

Everything had gone fine until 1915, [Harold Severy] said, when he noticed that people were sticking their tongues out at him. Severy believed that his persecutors had a ringleader, and that lodges had been organized in various cities to torment him. His enemies, he thought, obtained advance information of his whereabouts and plans, apprising each other by underground communications. He tried to escape them by moving from New York to Baltimore, he said, but they caught up with him. Still trying to escape, Severy fled to Philadelphia, Pittsburgh and Chicago … Returning East, he came to Albany, where his tormentors soon caught up with him and began to cluck their tongues at him. Severy decided finally, he said, that the only way to stop the persecution was to shoot with a … gun.

New York Herald Tribune, “Albany Terror of ʻ16 Dies Mad at Matteawan” (22-JUL-1936)

 

On 01-FEB-1916, 25-year-old Harold Severy, dubbed “Jack the Shooter” by the press, was arrested in Schenectady, New York, for the murder of James Irving and the assault of three others. He had shot them on 28-JAN-1916 in Albany, New York, with a .22-calibre Stevens single-shot rifle without stock that had been fitted with a Maxim Model 1912 sound suppressor and a wire assembly to trigger the shot with the gun concealed up his right sleeve and the wire being pulled by a twist of his right hand.

SD_Severy_Stevens Read More

Advertisements

At the Movies: Sicario

 

Kate, this isn’t something that I dreamed up myself. I don’t have the authority to hire advisors, or authorize joint agency missions, or fly agents from Air Force bases. Are you understanding me? These decisions are made far from here, by officials elected to office, not appointed to them. So, if your fear is operating out of bounds, I am telling you, you are not. The boundary’s been moved.

‒ FBI Special Agent in Charge Dave Jennings in Sicario (2015)

 

This is a film review of Denis Villeneuve’s Sicario (2015) with an eye towards using it in Delta Green: The Role-Playing Game.

Stop reading if you want to avoid SPOILERS.

SD_ATM_Sicario Read More

Tactical Shooting: Public Enemies

Gentlemen, shortly you will be provided Thompson submachine guns, BARs, and uh, .351 Winchester semiautomatic rifles. We are pursuing hardened killers. It will be dangerous.

– Bureau of Investigation Special Agent in Charge Melvin Purvis in Public Enemies (2009)

Michael Mann’s Public Enemies (2009) is but the latest effort to bring the life of infamous bank robber John “Johnnie” Dillinger on the silver screen. It follows his exploits between autumn 1933 and summer 1934, but really concentrates on his affair with gun moll M. Evelyn “Billie” Frechette. As in many other Mann movies, the law enforcement side receives almost equal attention, here in the shape of Bureau of Investigation Special Agent in Charge Melvin Purvis. While Mann undertook extraordinary effort to bring the time to life through clothing, automobiles, firearms, and locations, he stuck less rigidly to the historical facts, including the timeline. Events have been moved forward or backward, people have been omitted or changed, etc. It has to be understood that Public Enemies is not really a historical film at all, unlike Bryan Burrough’s meticulously researched book Public Enemies (2004), on which it is based. It is still an excellent movie, not the least because of its awesome score and of course its actors, including Johnny Depp as Dillinger, Christian Bale as Purvis, and Stephen Graham as “Baby Face Nelson.”

SD_TS_Public Enemies Read More

A Night at the Opera: Ronin

Vincent: Under the bridge, by the river, how did you know it was an ambush?
Sam: When ever there is any doubt, there is no doubt. That is the first thing they teach you.

Ronin (1998)

 

I have discussed John Frankenheimer’s Ronin (1998) in a previous post, dissecting a scene using GURPS. This time I look at how the same scene would play out using Delta Green: The Role-Playing Game. The latter is based on the Basic RolePlaying rules engine also used by Call of Cthulhu, but differs in many details. Watch just the scene here (the action starts at 1:56).

sd_dg_ronin

Read More

Tactical Shooting: The Way of the Gun

One’s backfire, three is gunplay.

– Joe Sarno in The Way of the Gun (2000)

 

Christopher McQuarrie’s The Way of the Gun (2000) is an imperfect cult movie. Its main characters “Mr Longabaugh” (Benicio del Toro) and “Mr Parker” (Ryan Philippe) are of course named after the famous Hole in the Wall Gang members “Butch Cassidy” (née Robert Parker) and “The Sundance Kid” (née Harry Longabaugh), and there are several references to George Hill’s Butch Cassidy and the Sundance Kid (1969), including the location where the showdown was shot. Unlike that brilliant Western, the story about two drifters who decide to finally pull a major score by kidnapping a surrogate pregnant woman suffers from plot holes, is irregularly paced, and has a good deal of forced dialogue. However, I have no issue with the dubious moralities displayed; the main characters are criminals and no more reprehensible than other fiction criminals ‒ or indeed, many nominally good guys. On the plus side, the film boasts first-class acting performances by the likes of Benicio del Toro, James Caan, and Geoffrey Lewis, an ace score, and, unsurprisingly given its title, some very cool shootouts.

sd_ts_way-of-the-gun Read More

Ultra-Tech: Amtrak Federation Air Rifle

A three-barrelled high-velocity .25 calibre air rifle that could be switched from triple volley to full auto, hung from the flexible mounting above the cockpit. A ground-crewman checked the two racks inside the cockpit filled with 180-round magazines … With a comparatively high rate of fire of one hundred and eighty rounds a minute, they were able to direct an almost continuous rain of nickel-coated lead …

‒ Patrick Tilley, The Amtrak Wars 1: Cloud Warrior (1983)

 

Patrick Tilley’s The Amtrak Wars (1983-1990) is a six-part epic chronicling the events in 2989/2994 AD prior to the fulfilment of the “Talisman Prophecy.” It is set in a devastated and substantially changed North America, with several factions involved in a deadly struggle for supremacy. These include various tribes of Mutes, the Iron Masters, and the Amtrak Federation ‒ inexplicably changed to the Lone Star Confederation in the later reissue, making the many train connections obsolete. It is perfect as a setting for a GURPS After the End campaign.

sd_ut_amtrak Read More