Here, one would say, is an arm that is useless for sport, cumbrous for self-defence and could not serve any honest purpose …
‒ Hugh Pollard, “Gun Running and the Traffic in Arms,” Saturday Evening Post (24-NOV-1923)
Captain Hugh Pollard was mainly talking with the Irish Revolution fresh on his mind, but he certainly did not think that an “honest” Briton could see any non-military use for the Thompson submachine gun. And yet, despite what the sorry state of today’s British gun laws would make one believe, British investigators of the Mythos could most definitely kit themselves out with a Thompson gun in the 1920s and early 1930s. Read More
Kate, this isn’t something that I dreamed up myself. I don’t have the authority to hire advisors, or authorize joint agency missions, or fly agents from Air Force bases. Are you understanding me? These decisions are made far from here, by officials elected to office, not appointed to them. So, if your fear is operating out of bounds, I am telling you, you are not. The boundary’s been moved.
‒ FBI Special Agent in Charge Dave Jennings in Sicario (2015)
This is a film review of Denis Villeneuve’s Sicario (2015) with an eye towards using it in Delta Green: The Role-Playing Game.
Stop reading if you want to avoid SPOILERS.
This a practical review of the Baikal IZH-43KH sawn-off double-barrelled shotgun, with an eye towards its performance in games like GURPS, Call of Cthulhu, and Delta Green: The Role-Playing Game.
Gentlemen, shortly you will be provided Thompson submachine guns, BARs, and uh, .351 Winchester semiautomatic rifles. We are pursuing hardened killers. It will be dangerous.
– Bureau of Investigation Special Agent in Charge Melvin Purvis in Public Enemies (2009)
Michael Mann’s Public Enemies (2009) is but the latest effort to bring the life of infamous bank robber John “Johnnie” Dillinger on the silver screen. It follows his exploits between autumn 1933 and summer 1934, but really concentrates on his affair with gun moll M. Evelyn “Billie” Frechette. As in many other Mann movies, the law enforcement side receives almost equal attention, here in the shape of Bureau of Investigation Special Agent in Charge Melvin Purvis. While Mann undertook extraordinary effort to bring the time to life through clothing, automobiles, firearms, and locations, he stuck less rigidly to the historical facts, including the timeline. Events have been moved forward or backward, people have been omitted or changed, etc. It has to be understood that Public Enemies is not really a historical film at all, unlike Bryan Burrough’s meticulously researched book Public Enemies (2004), on which it is based. It is still an excellent movie, not the least because of its awesome score and of course its actors, including Johnny Depp as Dillinger, Christian Bale as Purvis, and Stephen Graham as “Baby Face Nelson.”
This a practical review of the H&K P30L V1 semiautomatic pistol, with an eye towards its performance in games like GURPS, Call of Cthulhu, and Delta Green: The Role-Playing Game.
Vincent: Under the bridge, by the river, how did you know it was an ambush?
Sam: When ever there is any doubt, there is no doubt. That is the first thing they teach you.
– Ronin (1998)
I have discussed John Frankenheimer’s Ronin (1998) in a previous post, dissecting a scene using GURPS. This time I look at how the same scene would play out using Delta Green: The Role-Playing Game. The latter is based on the Basic RolePlaying rules engine also used by Call of Cthulhu, but differs in many details. Watch just the scene here (the action starts at 1:56).
One’s backfire, three is gunplay.
– Joe Sarno in The Way of the Gun (2000)
Christopher McQuarrie’s The Way of the Gun (2000) is an imperfect cult movie. Its main characters “Mr Longabaugh” (Benicio del Toro) and “Mr Parker” (Ryan Philippe) are of course named after the famous Hole in the Wall Gang members “Butch Cassidy” (née Robert Parker) and “The Sundance Kid” (née Harry Longabaugh), and there are several references to George Hill’s Butch Cassidy and the Sundance Kid (1969), including the location where the showdown was shot. Unlike that brilliant Western, the story about two drifters who decide to finally pull a major score by kidnapping a surrogate pregnant woman suffers from plot holes, is irregularly paced, and has a good deal of forced dialogue. However, I have no issue with the dubious moralities displayed; the main characters are criminals and no more reprehensible than other fiction criminals ‒ or indeed, many nominally good guys. On the plus side, the film boasts first-class acting performances by the likes of Benicio del Toro, James Caan, and Geoffrey Lewis, an ace score, and, unsurprisingly given its title, some very cool shootouts.
Happy trails, Hans!
‒ John McClane in Die Hard (1988)
John McTiernan’s Die Hard (1988) is the ultimate action movie for the festive days. Like most such films made in the 1980s, it ticks many boxes of the genres covered by GURPS Gun Fu. NYPD Detective John McClane (Bruce Willis) is the ultimate badass in both body and spirit, and the shooting shown is in the same vein ‒ “Yippee ki-yay, motherfucker!”
You want to be a gunfighter, huh?
– LAPD Detective Tom Ludlow in Street Kings (2008)
Street Kings (2008) is about LAPD Detective Tom Ludlow (Keanu Reeves), a member of the Vice Special unit that seems to be inspired by the real LAPD’s controversial Special Investigations Section (SIS), a unit that got a reputation as a “gunfighting” outfit in the late 1980s. Ludlow is a renegade “gunfighter” caught up both in his own post-traumatic stress disorder and in larger issues having to do with in-service corruption and power struggles.
OK, I wanna introduce you to a personal friend of mine: This is an M41A pulse rifle, 10mm, with an over-and-under 30mm pump-action grenade launcher.
‒ CPL Dwayne Hicks, 1st Platoon, A Company, 2/9 USCM, in Aliens (1986)
The Armat M41A is the famous weapon arming the US Colonial Marines in Aliens (1986) and the Weyland-Yutani Corporation security forces in Alien 3 (1992) ‒ also, for some obscure reasons, the bank robbers in The Simpsons #13.12 (2002) … It accounts for a lot of the pseudo-realistic setting of Aliens, giving the main characters a mean-looking yet functional weapon to combat the dangerous Xenomorph XX121. Ultimately, the powerful, effective carbine ‒ and all the other ultra-tech gear of the year 2179, from nukes to sharp sticks ‒ does not mean much against the swarm intelligence, evolutionary perfection, and insidious breeding habits of Internecivus raptus, giving the Alien saga a distinct, rather desperate Lovecraft-esque vibe.