Vincent: Under the bridge, by the river, how did you know it was an ambush?
Sam: When ever there is any doubt, there is no doubt. That is the first thing they teach you.
– Ronin (1998)
I have discussed John Frankenheimer’s Ronin (1998) in a previous post, dissecting a scene using GURPS. This time I look at how the same scene would play out using Delta Green: The Role-Playing Game. The latter is based on the Basic RolePlaying rules engine also used by Call of Cthulhu, but differs in many details. Watch just the scene here (the action starts at 1:56).
One’s backfire, three is gunplay.
– Joe Sarno in The Way of the Gun (2000)
Christopher McQuarrie’s The Way of the Gun (2000) is an imperfect cult movie. Its main characters “Mr Longabaugh” (Benicio del Toro) and “Mr Parker” (Ryan Philippe) are of course named after the famous Hole in the Wall Gang members “Butch Cassidy” (née Robert Parker) and “The Sundance Kid” (née Harry Longabaugh), and there are several references to George Hill’s Butch Cassidy and the Sundance Kid (1969), including the location where the showdown was shot. Unlike that brilliant Western, the story about two drifters who decide to finally pull a major score by kidnapping a surrogate pregnant woman suffers from plot holes, is irregularly paced, and has a good deal of forced dialogue. However, I have no issue with the dubious moralities displayed; the main characters are criminals and no more reprehensible than other fiction criminals ‒ or indeed, many nominally good guys. On the plus side, the film boasts first-class acting performances by the likes of Benicio del Toro, James Caan, and Geoffrey Lewis, an ace score, and, unsurprisingly given its title, some very cool shootouts.
Happy trails, Hans!
‒ John McClane in Die Hard (1988)
John McTiernan’s Die Hard (1988) is the ultimate action movie for the festive days. Like most such films made in the 1980s, it ticks many boxes of the genres covered by GURPS Gun Fu. NYPD Detective John McClane (Bruce Willis) is the ultimate badass in both body and spirit, and the shooting shown is in the same vein ‒ “Yippee ki-yay, motherfucker!”
You want to be a gunfighter, huh?
– LAPD Detective Tom Ludlow in Street Kings (2008)
Street Kings (2008) is about LAPD Detective Tom Ludlow (Keanu Reeves), a member of the Vice Special unit that seems to be inspired by the real LAPD’s controversial Special Investigations Section (SIS), a unit that got a reputation as a “gunfighting” outfit in the late 1980s. Ludlow is a renegade “gunfighter” caught up both in his own post-traumatic stress disorder and in larger issues having to do with in-service corruption and power struggles.
OK, I wanna introduce you to a personal friend of mine: This is an M41A pulse rifle, 10mm, with an over-and-under 30mm pump-action grenade launcher.
‒ CPL Dwayne Hicks, 1st Platoon, A Company, 2/9 USCM, in Aliens (1986)
The Armat M41A is the famous weapon arming the US Colonial Marines in Aliens (1986) and the Weyland-Yutani Corporation security forces in Alien 3 (1992) ‒ also, for some obscure reasons, the bank robbers in The Simpsons #13.12 (2002) … It accounts for a lot of the pseudo-realistic setting of Aliens, giving the main characters a mean-looking yet functional weapon to combat the dangerous Xenomorph XX121. Ultimately, the powerful, effective carbine ‒ and all the other ultra-tech gear of the year 2179, from nukes to sharp sticks ‒ does not mean much against the swarm intelligence, evolutionary perfection, and insidious breeding habits of Internecivus raptus, giving the Alien saga a distinct, rather desperate Lovecraft-esque vibe.
‒ Mac Eliot in Predator (1987)
John McTiernan’s Predator (1987) is a superb classic that combines science fiction, horror, and military action. While Predator fulfils many action movie tropes and is hence overall better suited to GURPS Gun Fu, some details merit discussion in context with GURPS Tactical Shooting. The team’s response to the first sighting of the Predator is almost a textbook counterattack manoeuvre (Tactical Shooting, p. 22) following the advice in the US Army’s field manual FM 90-5 Jungle Operations (1982): “Once contact with the enemy is made, the unit’s first action is to build up a large volume of fire.”
Did I miss something? Are we going into battle?
‒ “Evie” Carnahan, The Mummy (1999)
Stephen Sommers’ The Mummy (1999) is one of my favourite pulp fiction movies. It combines a great story with lovable characters, mummy-hunting, and lots of period equipment. Professional treasure hunter Richard “Rick” O’Connell alias “Ricochet” O’Connell (Brendan Fraser) is so adept at monster-hunting that he carries a dedicated kit bag stuffed with weapons with him around (GURPS Loadouts: Monster Hunters, pp. 8-9). Let’s take a look at what he has in there.
Glock 22. That’s my daily carry, OK. I mean unless you’re talking, what, +P+ slugs, you forget the 9-mil, alright. Shit, I’ve seen one of those bounce off of a windshield one time … If you’re gonna bring a gun, baby, you gotta bring enough gun.
– “Hank” Schrader in Breaking Bad #1.1 (2008)
Breaking Bad (2008-2013) is another one of those recent series that redefined modern television. It centres on Walter White (Bryan Cranston), a chemistry teacher who becomes a meth cook and, eventually, crime lord. The viewer watches with morbid fascination as White gets deeper and deeper into trouble and has to come up with increasingly outlandish ways to extricate himself from problems he created himself, losing his morals, family, and even humanity in the process.
There are a number of well-done altercations throughout the five seasons. The one I want to examine here in GURPS terms is the shootout between DEA Special Agent Henry “Hank” Schrader, White’s brother-in-law, and Juárez Cartel distributor Tuco Salamanca in Breaking Bad #2.2 “Grilled” (2010).
Finn: I guess you’ll just have to kill me.
John Smith: It’ll hurt if I do.
– Last Man Standing (1996)
Last Man Standing (1996) directed by Walter Hill is one of my favourite films, combining as it does many awesome ingredients: set in 1931 during the Prohibition, a former mob enforcer on the run from Chicago winds up in a Texas burg under the thumbs of two feuding bootlegger gangs and starts playing the two groups against each other – cue lots of mayhem. We get a period setting with top actors including Bruce Willis as “John Smith,” but also Bruce Dern, William Sanderson, and Christopher Walken, cool vintage props including gats, suits, and haircuts, and an ace score by slide guitarist Ry Cooder. The familiar story about a loner playing two parties of bad guys against each other to his own advantage is credited prominently to Ryūzū Kikushima and Akira Kurosawa’s Yōjinbō (1961), which is ironic considering that their screenplay was based heavily on Dashiell Hammett’s Red Harvest (1929), a novel about a Prohibition-era agency detective who plays several gangs against each other …