Investigator Weapons: Mauser T.-Gew.18

This rifle was first captured during the battle of Hamel on July 4. It had only just been issued to certain divisions; other divisions were equipped with it later on … It was too conspicuous and too slow a weapon to be really effective against tanks, though it could easily penetrate them at several hundred yards range.

‒ John Fuller, Tanks in the Great War, 1914-1918 (1920)

 

The Tankabwehrgewehr 18 (“antitank rifle model 1918”) or Tankgewehr 18 ‒ both designations have been observed in official material ‒ is the first purpose-designed antitank weapon produced anywhere. The T.-Gew.18 appears in the last year of the Great War to combat the Allied tanks on the Western Front. Intended as a stop-gap measure until the MAN-Maxim T.u.F.-M.G.18 antitank/antiaircraft machine gun reaches production ‒ which it never does ‒ it is a single-shot bolt-action design produced by the Mauser-Werke of Oberndorf, Germany.

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Tactical Shooting: Street Kings

You want to be a gunfighter, huh?

– LAPD Detective Tom Ludlow in Street Kings (2008)

 

Street Kings (2008) is about LAPD Detective Tom Ludlow (Keanu Reeves), a member of the Vice Special unit that seems to be inspired by the real LAPD’s controversial Special Investigations Section (SIS), a unit that got a reputation as a “gunfighting” outfit in the late 1980s. Ludlow is a renegade “gunfighter” caught up both in his own post-traumatic stress disorder and in larger issues having to do with in-service corruption and power struggles.

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Ultra-Tech: Armat M41A

OK, I wanna introduce you to a personal friend of mine: This is an M41A pulse rifle, 10mm, with an over-and-under 30mm pump-action grenade launcher.

‒ CPL Dwayne Hicks, 1st Platoon, A Company, 2/9 USCM, in Aliens (1986)

The Armat M41A is the famous weapon arming the US Colonial Marines in Aliens (1986) and the Weyland-Yutani Corporation security forces in Alien 3 (1992) ‒ also, for some obscure reasons, the bank robbers in The Simpsons #13.12 (2002) … It accounts for a lot of the pseudo-realistic setting of Aliens, giving the main characters a mean-looking yet functional weapon to combat the dangerous Xenomorph XX121. Ultimately, the powerful, effective carbine ‒ and all the other ultra-tech gear of the year 2179, from nukes to sharp sticks ‒ does not mean much against the swarm intelligence, evolutionary perfection, and insidious breeding habits of Internecivus raptus, giving the Alien saga a distinct, rather desperate Lovecraft-esque vibe.

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Tactical Shooting: Predator

Contact!

‒ Mac Eliot in Predator (1987)

 

John McTiernan’s Predator (1987) is a superb classic that combines science fiction, horror, and military action. While Predator fulfils many action movie tropes and is hence overall better suited to GURPS Gun Fu, some details merit discussion in context with GURPS Tactical Shooting. The team’s response to the first sighting of the Predator is almost a textbook counterattack manoeuvre (Tactical Shooting, p. 22) following the advice in the US Army’s field manual FM 90-5 Jungle Operations (1982): “Once contact with the enemy is made, the unit’s first action is to build up a large volume of fire.”

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High-Tech: The Mummy

Did I miss something? Are we going into battle?

‒ “Evie” Carnahan, The Mummy (1999)

 

Stephen Sommers’ The Mummy (1999) is one of my favourite pulp fiction movies. It combines a great story with lovable characters, mummy-hunting, and lots of period equipment. Professional treasure hunter Richard “Rick” O’Connell alias “Ricochet” O’Connell (Brendan Fraser) is so adept at monster-hunting that he carries a dedicated kit bag stuffed with weapons with him around (GURPS Loadouts: Monster Hunters, pp. 8-9). Let’s take a look at what he has in there.

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Tactical Shooting: Breaking Bad

Glock 22. That’s my daily carry, OK. I mean unless you’re talking, what, +P+ slugs, you forget the 9-mil, alright. Shit, I’ve seen one of those bounce off of a windshield one time … If you’re gonna bring a gun, baby, you gotta bring enough gun.

– “Hank” Schrader in Breaking Bad #1.1 (2008)

 

Breaking Bad (2008-2013) is another one of those recent series that redefined modern television. It centres on Walter White (Bryan Cranston), a chemistry teacher who becomes a meth cook and, eventually, crime lord. The viewer watches with morbid fascination as White gets deeper and deeper into trouble and has to come up with increasingly outlandish ways to extricate himself from problems he created himself, losing his morals, family, and even humanity in the process.

There are a number of well-done altercations throughout the five seasons. The one I want to examine here in GURPS terms is the shootout between DEA Special Agent Henry “Hank” Schrader, White’s brother-in-law, and Juárez Cartel distributor Tuco Salamanca in Breaking Bad #2.2 “Grilled” (2010).

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Gun Fu: Last Man Standing

Finn: I guess you’ll just have to kill me.

John Smith: It’ll hurt if I do.

Last Man Standing (1996)

 

Last Man Standing (1996) directed by Walter Hill is one of my favourite films, combining as it does many awesome ingredients: set in 1931 during the Prohibition, a former mob enforcer on the run from Chicago winds up in a Texas burg under the thumbs of two feuding bootlegger gangs and starts playing the two groups against each other – cue lots of mayhem. We get a period setting with top actors including Bruce Willis as “John Smith,” but also Bruce Dern, William Sanderson, and Christopher Walken, cool vintage props including gats, suits, and haircuts, and an ace score by slide guitarist Ry Cooder. The familiar story about a loner playing two parties of bad guys against each other to his own advantage is credited prominently to Ryūzū Kikushima and Akira Kurosawa’s Yōjinbō (1961), which is ironic considering that their screenplay was based heavily on Dashiell Hammett’s Red Harvest (1929), a novel about a Prohibition-era agency detective who plays several gangs against each other …

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